Bach Bibliography Search Result - Ordered Chronologically

Author : Fabian, Dorottya; Schubert, Emery
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Type	List	Author: Title, Series, Vol/No (Year/Month/Date of Publication), Pages	Status
	1.	Fabian, Dorottya; Schubert, Emery:   Expressive devices and perceived musical character in 34 performances of Variation 7 from Bach's Goldberg Variations. MScientiae Special Issue (2003), 49-71.
	2.	Fabian, Dorottya; Schubert, Emery:   Performed and perceived dotting are different: Implications for performance practice and pedagogy. [cr]CIM04_Graz (2004), 74-75. Poster presented at the Conference on Interdisciplinary Musicology, Graz, 15-18 April 2004. [Abstract]
	3.	Fabian, Dorottya; Schubert, Emery:   An experimental investigation of musical character portrayed by piano versus harpsichord performances of a J.S. Bach excerpt In: Aesthetics and experience in music performance, ed. Elizabeth Mackinlay, Denis Collins and Samantha Owens. Newcastle upon Tyne: Cambridge Scholars Press, 2005. xxiv, 348p. ISBN: 1-904303-50-1; 978-1-904303-50-3; pp.70-84.
	4.	Fabian, Dorottya; Schubert, Emery:   Musical character and the performance and perception of dotting, articulation and tempo in 34 recordings of Variation 7 from J.S. Bach's Goldberg variations (BWV 988). MScientiae 12/2 (Fall-Winter 2008), 177-206.
	5.	Bangert, Daniel; Fabian, Dorottya; Schubert, Emery:   Doing without thinking? Aspects of musical decision-making revisited. [cr]Vienna2013 (2013), 201.
	6.	Bangert, Daniel; Fabian, Dorottya; Schubert, Emery; Yeadon, Daniel:   Performing solo Bach: a case study of musical decision-making. MScientiae 18/1 (Mar 2014), 35-52.